#China #Hangzhou #Cultural Heritage #Art Technology #Hangzhou Biennale

Future Echoes: Where Art Meets Technology

The China (Hangzhou) Art and Technology Biennale, which took place from October 18, 2025, at the Yuhang Art Museum, marks a significant milestone in the convergence of art and technology. Jointly organized by the China Academy of Art (CAA) and various art institutions and government departments, this biennale serves as a vital international platform for cultural exchange, especially in the context of the 3rd Liangzhu Forum. The theme of this year’s event, "Cultural Ecological Reconstruction Amidst Technological Iteration," invites an exploration of the relationship between humanity and technology, highlighting the revitalization of cultural heritage and the diversity of human culture.

The biennale features over 160 artists, scientists, and creators from more than 20 countries and regions, showcasing their innovative works that bridge art and technology. Exhibitions are divided into four core sections that stimulate dialogue around the interconnectedness of heaven, earth, humanity, and machines:

1. Connections Embodied Interaction: This section allows visitors to engage with interactive installations that link human experiences to technological capabilities. It examines how machines can enhance our understanding of the world around us.

2. Symbiosis Digital Education: Emphasizing the importance of digital literacy, this part promotes the integration of humanities into technology education, aiming to find harmony between technological progress and humanistic values.

3. Speculation Ecological Reconstruction: Here, visitors are encouraged to contemplate the future of our environment and technological innovations. This section focuses on how these two realms can coexist and evolve together.

4. Manifesto Philosophical Inquiry: This final section prompts reflections on the ethical implications and values inherent in the merging of art and technology. It challenges visitors to consider the broader impacts of these integrations on society.

Among the exhibit highlights is the Jade Cong King, a remarkable installation that symbolizes the connection between civilization and nature. Another noteworthy piece is the China Dinosaur Project | Number 20241123, a collaborative endeavor between CAA and researchers from the Chinese Academy of Sciences. This project transforms fossil data from newly discovered sauropod remains into visual narratives using advanced methodologies such as μCT scanning and numerical simulations.

Additionally, the Trisolaris Computing Constellation signifies a cutting-edge project aiming to establish space-based computing infrastructure, showcasing global collaborations from institutions such as Zhejiang Laboratory.

A standout in the artistic realm is Daily Sketches by Zach Lieberman, a new media artist from MIT's Media Lab, which generates abstract graphics based on the audience’s real-time gestures and facial expressions. Finnish artist duo Grönlund-Nisunen present In Orbit, an installation featuring a stainless steel ball that moves continuously along a circular track, demonstrating a blend of art, technology, and physics.

The biennale runs until December 18, 2025, and invites everyone to explore the dynamic engagement between art and technology, while also reflecting on the intricate tapestry of cultural heritage that connects us all.