Shanxi Province's Cultural Heritage Takes Center Stage in Geneva
In late September, the Chinese Permanent Mission to the United Nations in Geneva organized a remarkable reception that highlighted the rich cultural heritage of Shanxi Province. This event gathered over 100 foreign diplomats, offering them an opportunity to explore the intangible cultural assets of this historic region known for its artistic traditions.
The reception featured a vibrant exhibition of Shanxi's intangible cultural heritage that captivated attendees. Among the notable displays was the work of Yang Xuefei, an artist specializing in knot binding from Datong City. Yang showcased 48 intricately crafted brooches made using the Datong knotting technique, recognized as an important part of intangible cultural heritage. These brooches depicted the Edelweiss, Switzerland's national symbol, intermingled with design elements from her hometown of Datong, such as flowing ribbons inspired by sculptures from the Yungang Grottoes.
In addition to her collection, Yang and her team created over 500 original cultural products based on the knotting technique and local traditions. Over recent years, these crafts have been exhibited in various countries, serving as a bridge to promote Chinese culture worldwide.
Another highlight of the event was Bai Huaibing, a master of the ancient technique of producing colored glazes from Jiexiu City, who displayed more than 20 exquisite glazed items. Jiexiu, known for its millennia-long tradition of crafting colored glazes, features numerous buildings adorned with this well-preserved art form. Bai's exhibited pieces included ceramics, architectural ornaments, and sculptures, showcasing a blend of ancient techniques with modern aesthetic sensibilities.
At the exhibition, Bai demonstrated the glazing process to visitors, fostering a deeper understanding of this traditional Chinese art. A variety of other remarkable items were also displayed during the event, including Shang-tang brocade from Changzhi, hand-polished lacquerware from Pingyao, and ink blocks from Yuncheng.
The organizers emphasized that Shanxi Province boasts an impressive wealth of intangible cultural heritage, with 182 representative items listed on the national registry and 198 nationally recognized bearers of this heritage. Additionally, the province is home to over 1,000 items of intangible cultural heritage recognized at the provincial level.
Through this exhibition, Shanxi Province succeeded in catching the attention of many visitors. Those unfamiliar with the region began browsing maps of Shanxi on their smartphones and excitedly discussed plans to visit the province, taking a keen interest in its diverse offerings.
In conclusion, the reception in Geneva proved to be an excellent platform for Shanxi to display its rich cultural tradition. By presenting its unique crafts and artistic heritage to a global audience, Shanxi not only celebrated its history but also contributed to the ongoing dialogue about cultural appreciation and exchange in an increasingly interconnected world.
The reception featured a vibrant exhibition of Shanxi's intangible cultural heritage that captivated attendees. Among the notable displays was the work of Yang Xuefei, an artist specializing in knot binding from Datong City. Yang showcased 48 intricately crafted brooches made using the Datong knotting technique, recognized as an important part of intangible cultural heritage. These brooches depicted the Edelweiss, Switzerland's national symbol, intermingled with design elements from her hometown of Datong, such as flowing ribbons inspired by sculptures from the Yungang Grottoes.
In addition to her collection, Yang and her team created over 500 original cultural products based on the knotting technique and local traditions. Over recent years, these crafts have been exhibited in various countries, serving as a bridge to promote Chinese culture worldwide.
Another highlight of the event was Bai Huaibing, a master of the ancient technique of producing colored glazes from Jiexiu City, who displayed more than 20 exquisite glazed items. Jiexiu, known for its millennia-long tradition of crafting colored glazes, features numerous buildings adorned with this well-preserved art form. Bai's exhibited pieces included ceramics, architectural ornaments, and sculptures, showcasing a blend of ancient techniques with modern aesthetic sensibilities.
At the exhibition, Bai demonstrated the glazing process to visitors, fostering a deeper understanding of this traditional Chinese art. A variety of other remarkable items were also displayed during the event, including Shang-tang brocade from Changzhi, hand-polished lacquerware from Pingyao, and ink blocks from Yuncheng.
The organizers emphasized that Shanxi Province boasts an impressive wealth of intangible cultural heritage, with 182 representative items listed on the national registry and 198 nationally recognized bearers of this heritage. Additionally, the province is home to over 1,000 items of intangible cultural heritage recognized at the provincial level.
Through this exhibition, Shanxi Province succeeded in catching the attention of many visitors. Those unfamiliar with the region began browsing maps of Shanxi on their smartphones and excitedly discussed plans to visit the province, taking a keen interest in its diverse offerings.
In conclusion, the reception in Geneva proved to be an excellent platform for Shanxi to display its rich cultural tradition. By presenting its unique crafts and artistic heritage to a global audience, Shanxi not only celebrated its history but also contributed to the ongoing dialogue about cultural appreciation and exchange in an increasingly interconnected world.
Topics Entertainment & Media）
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