Exploring 'Plundered': A Critical Examination of Black Homeownership in America
The Launch of 'Plundered': A Deep Dive into Systemic Racism
On January 27, 2025, renowned property law expert, Prof. Bernadette Atuahene, is set to unveil her new book, Plundered: How Racist Policies Undermine Black Homeownership in America during a virtual launch event. Starting at 7 PM ET, this event will feature a dialogue with Dr. Ibram X. Kendi, the bestselling author of significant works such as Stamped from the Beginning and How to Be an Antiracist.
A New Perspective on Racism and Homeownership
Plundered tackles the intricate issues surrounding systemic racism in the realm of housing. Atuahene's research pinpoints how discriminatory property tax foreclosure practices and various other policies have systematically dismantled Black communities. This devastating narrative has been described as “a tale of outright government theft hiding in plain sight” by MacArthur Genius fellow, Patricia Williams.
Atuahene does not merely focus on the problems; she presents solutions, stemming from her leadership role in the Coalition for Property Tax Justice. This grassroots organization collaborates with hundreds of homeowners fighting against the racial injustices prevalent in property tax administration across the nation, particularly in Detroit.
Uncovering Stories of Resilience
During the upcoming virtual event, the conversation will delve into the broader implications of these issues while highlighting the real-life experiences of those affected. Atuahene shared, “I have spent years researching the various racist policies at work in Detroit and other Black cities in America. I cannot wait for the world to hear the powerful stories contained in Plundered.”
The book has already begun to garner praise from noteworthy figures. Dr. Kendi has commendably noted its clarity, accessibility, and compelling content. He views it as a “compelling achievement of groundbreaking scholarship.” Additionally, prominent civil rights activist, Rev. Dr. William J. Barber II, describes the work as something that could seamlessly transition to a film narrative. Publishers Weekly has hailed it as