Celebrating Yukio Mishima's 100th Birth Anniversary with Béjart's Ballet 'M'
As we approach the centennial celebration of Yukio Mishima's birth in 2025, the world is once again captivated by the imaginative ballet 'M,' choreographed by the legendary Maurice Béjart (1927-2007). Known as one of the greatest choreographers of the 20th century, Béjart had a profound admiration for Japan and its culture, crafting several works inspired by its traditions—among them, the ballet 'M,' which premiered in 1993 for the Tokyo Ballet.
Unlike typical adaptations that draw directly from specific works, 'M' encapsulates the essence of Mishima as an artist. It intertwines elements from his renowned literary pieces like 'The Sound of Waves,' 'The Temple of the Golden Pavilion,' 'The House of Mirrors,' and 'The Pavilion of the Deer,' presenting a vivid narrative without spoken word, allowing the audience to visualize the deep connection between Mishima's artistic vision and the power of ballet. The performance opens with the serene sound of ocean waves, as a young boy representing Mishima is led onto stage by an elderly woman, embodying his grandmother. This mesmerizing introduction is followed by a beautiful ensemble of female dancers embodying the waves, seamlessly ushering the audience into Mishima's world.
Throughout the roughly 100-minute performance, audiences are treated to a series of breathtaking sequences performed by the talented dancers of the Tokyo Ballet, renowned as one of the world's top five ballet companies. The energy is palpable and the visual artistry is extraordinary, resembling a moving picture scroll that leaves spectators spellbound until the grand finale.
The title 'M' is not only an acronym for Mishima but also represents various significant aspects of his life: sea (Mer), transformation (Métamorphose), death (Mort), mystery (Mystère), and mythology (Mythologie). Béjart's dedication to this work is particularly profound, as both he and Mishima share the tragic fate of leaving this world at the age of 45. As fans of Mishima's literary works prepare for the centenary celebration, 'M' serves as an essential experience for audiences to connect with Mishima’s spirit. Critics have praised 'M' for its ability to bring forth the essence of Mishima's soul to life, inviting contemporary viewers to experience the fervor of the Showa era.
Recently, at the Tokyo Ballet studio, media representatives were granted the opportunity to observe a rehearsal featuring key ensemble members such as Mizuka Ueno, Kenta Emamoto, Shindai Miyakawa, and Yoshimasa Ikemoto. The studio was filled with an intensity that rivaled the sweltering summer heat outside, showcasing the raw talent and remarkable choreography that defines the Tokyo Ballet. The male dancers' display of strength during the 'Bushido' scene featured the main quartet—Ich, Ni, San, and Shi—who personify expressions of Mishima throughout. Each dancer's level of expertise contributes to a cohesive performance that is nothing short of awe-inspiring.
The role of Saint Sebastian, symbolizing Mishima's purity and love, is double cast with actors Yuki Higuchi and Taku Otsuka. The powerfully performed role of 'Death' is portrayed by Yoshimasa Ikemoto, providing a crucial focal point in the production. One distinct aspect of 'M' is its intricate score, comprising over twenty original pieces by composer Toshiro Mayuzumi, along with works from Debussy, children's songs, chanson, and Wagner. Béjart’s genius lies in uniting such a diverse musical landscape, resulting in an engaging and timeless experience that resonates with audiences today.
Notably, pianist Hiroko Kikuchi will take the stage, showcasing her skill alongside the remarkable ballet performances. With a proven track record, Kikuchi has collaborated with esteemed dancers on notable stages, and her mature sound is anticipated to elevate the overall impact of the ballet. The rehearsal also included captivating performances by female dancers, directed by artistic supervisor Shiori Sano, highlighting the attention to detail in their movements, ensuring each aspect of the choreography is refined.
As the curtain rises on this landmark production, it is clear that 'M' is deserving of its platform in 2025, marking not only Mishima’s enduring legacy but also the evolution of Japanese ballet. This production is poised to captivate even those who have traditionally been less engaged in the arts, making 'M' a worthwhile experience not to be missed. The centenary of Yukio Mishima’s birth intersects with Béjart's 100th anniversary in 2027, fueling a resurgence of appreciation for their compelling artistry.
Details for the upcoming performances of 'M' are as follows:
For more information, visit the official site:
Check out the promotional video for 'M' here: YouTube.
Unlike typical adaptations that draw directly from specific works, 'M' encapsulates the essence of Mishima as an artist. It intertwines elements from his renowned literary pieces like 'The Sound of Waves,' 'The Temple of the Golden Pavilion,' 'The House of Mirrors,' and 'The Pavilion of the Deer,' presenting a vivid narrative without spoken word, allowing the audience to visualize the deep connection between Mishima's artistic vision and the power of ballet. The performance opens with the serene sound of ocean waves, as a young boy representing Mishima is led onto stage by an elderly woman, embodying his grandmother. This mesmerizing introduction is followed by a beautiful ensemble of female dancers embodying the waves, seamlessly ushering the audience into Mishima's world.
Throughout the roughly 100-minute performance, audiences are treated to a series of breathtaking sequences performed by the talented dancers of the Tokyo Ballet, renowned as one of the world's top five ballet companies. The energy is palpable and the visual artistry is extraordinary, resembling a moving picture scroll that leaves spectators spellbound until the grand finale.
The title 'M' is not only an acronym for Mishima but also represents various significant aspects of his life: sea (Mer), transformation (Métamorphose), death (Mort), mystery (Mystère), and mythology (Mythologie). Béjart's dedication to this work is particularly profound, as both he and Mishima share the tragic fate of leaving this world at the age of 45. As fans of Mishima's literary works prepare for the centenary celebration, 'M' serves as an essential experience for audiences to connect with Mishima’s spirit. Critics have praised 'M' for its ability to bring forth the essence of Mishima's soul to life, inviting contemporary viewers to experience the fervor of the Showa era.
Recently, at the Tokyo Ballet studio, media representatives were granted the opportunity to observe a rehearsal featuring key ensemble members such as Mizuka Ueno, Kenta Emamoto, Shindai Miyakawa, and Yoshimasa Ikemoto. The studio was filled with an intensity that rivaled the sweltering summer heat outside, showcasing the raw talent and remarkable choreography that defines the Tokyo Ballet. The male dancers' display of strength during the 'Bushido' scene featured the main quartet—Ich, Ni, San, and Shi—who personify expressions of Mishima throughout. Each dancer's level of expertise contributes to a cohesive performance that is nothing short of awe-inspiring.
The role of Saint Sebastian, symbolizing Mishima's purity and love, is double cast with actors Yuki Higuchi and Taku Otsuka. The powerfully performed role of 'Death' is portrayed by Yoshimasa Ikemoto, providing a crucial focal point in the production. One distinct aspect of 'M' is its intricate score, comprising over twenty original pieces by composer Toshiro Mayuzumi, along with works from Debussy, children's songs, chanson, and Wagner. Béjart’s genius lies in uniting such a diverse musical landscape, resulting in an engaging and timeless experience that resonates with audiences today.
Notably, pianist Hiroko Kikuchi will take the stage, showcasing her skill alongside the remarkable ballet performances. With a proven track record, Kikuchi has collaborated with esteemed dancers on notable stages, and her mature sound is anticipated to elevate the overall impact of the ballet. The rehearsal also included captivating performances by female dancers, directed by artistic supervisor Shiori Sano, highlighting the attention to detail in their movements, ensuring each aspect of the choreography is refined.
As the curtain rises on this landmark production, it is clear that 'M' is deserving of its platform in 2025, marking not only Mishima’s enduring legacy but also the evolution of Japanese ballet. This production is poised to captivate even those who have traditionally been less engaged in the arts, making 'M' a worthwhile experience not to be missed. The centenary of Yukio Mishima’s birth intersects with Béjart's 100th anniversary in 2027, fueling a resurgence of appreciation for their compelling artistry.
Details for the upcoming performances of 'M' are as follows:
- - Venue: Tokyo Bunka Kaikan (Ueno)
- - Performance Dates: September 20, 2025 (14:00), September 21, 2025 (14:00), September 23, 2025 (13:00)
- - Duration: Approximately 1 hour and 40 minutes (No intermission)
- - Piano: Hiroko Kikuchi
- - Ticket Prices: S: ￥15,000, A: ￥12,000, B: ￥9,000, C: ￥7,000, D: ￥5,000, Mishima U39: ￥4,000, U25: ￥2,000 (limited to under 39 and 25 years respectively). Seat assignments are not specified.
For more information, visit the official site:
Check out the promotional video for 'M' here: YouTube.
Topics Entertainment & Media）
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