#Paris #France #Herbie Hancock #Jazz Competition #Malou Oheixová

Malou Oheixova Takes First Place at the 2026 Jazz Vocal Competition

In a groundbreaking moment for jazz, Malou Oheixova (27) from France emerged victorious at the 2026 Herbie Hancock Institute International Jazz Vocals Competition, an event notable not only for its incredible talent but also for its historic venue at the Fondation Louis Vuitton in Paris. This year marked the first time in nearly forty years that the competition has ventured outside the United States, making it a landmark event in the world of jazz.

Hosted by Oscar-winning actor Jeremy Irons, the competition culminated in an electrifying finale that took place amidst the stunning architecture of the Fondation, designed by the renowned Frank Gehry. Oheixova wowed the judges and the audience alike with her two contrasting performances; in “I’m Glad There Is You,” she showcased her enchanting vulnerability, while she offered a bold and playful rendition of Michael Brecker’s “Madame Toulouse.”

Oheixova's stellar performance secured her the grand prize of $50,000, presented onstage by Jean-Paul Claverie, advisor to the president and administrator of the Fondation Louis Vuitton. As the night unfolded, the audience witnessed Oheixova compete against two other exceptional finalists: Georgia Heers, who claimed second place with her flawless interpretation of “Moon Don’t Come Out Tonight,” followed by a beautifully narrated “Thou Swell;” and Lucy-Anne Daniels, who secured third place with an energetic Afro-Cuban version of “Nature Boy” alongside her unique take on “Old Devil Moon.” Each finalist was accompanied throughout the competition by a dynamic rhythm section comprising Carmen Staaf on piano, Ben Williams on bass, and Kendrick Scott on drums.

The evening was not just a celebration of competition; it also served as a tribute to the profound connection between jazz and the city of Paris. This sentiment echoed throughout the event, as the stage was shared by music legends from diverse backgrounds. Arturo Sandoval, a ten-time Grammy winner, was honored with the Marie Fisher Founder’s Award for his contributions to jazz and music education. Herbie Hancock himself paid tribute to Sandoval by acknowledging his exceptional artistry during the night’s proceedings.

Gustavo Dudamel, the special guest of the evening, led a heartfelt homage to the late architect Frank Gehry, emphasizing his lasting influence on the world of art and culture. As part of this tribute, the world premiere of “The Ever-Changing World,” a composition by acclaimed Panamanian pianist Danilo Pérez, was performed, highlighting the collaborative spirit and ingenuity that jazz fosters. The performance featured multiple esteemed musicians, demonstrating the rich tapestry of global talent within the jazz community.

As the evening drew to a close, performances included “J'ai Deux Amours” performed by Dee Dee Bridgewater and Jamaican pianist Monty Alexander. The celebration of jazz continued with stunning renditions of “So What,” led by Hancock and trumpeter Ambrose Akinmusire, honoring the centennial of jazz giants Miles Davis and John Coltrane. The vibrant atmosphere captured the essence of Paris, contrasting historical jazz roots with contemporary interpretations.

The competition and evening gala, supported by Fondation Louis Vuitton, reached audiences worldwide via live streaming on platforms such as FLV Play, medici.tv, and in stunning 4K on YouTube. The event showcased the power of jazz to connect people across borders and generations, highlighting Paris's pivotal role in the evolution of this beloved genre. The official airline for this impactful event was United Airlines, ensuring artists and participants traveled smoothly across distances to unite in their passion for jazz.

Overall, the 2026 Herbie Hancock Institute International Jazz Vocals Competition was not just a contest of talent; it became a celebration of community, creativity, and the resilience of jazz, reminding us why this art form continues to thrive in the heart of culture.