Exploring the Intersection of Art and AI at The Wrong Biennale in Copenhagen

AI Chronotopes: The Art of Artificial Intelligence in Copenhagen



The world of art is set for an exciting exploration of artificial intelligence as part of the upcoming edition of The Wrong Biennale, renowned for being the largest decentralized digital art event globally. Scheduled from November 1, 2025, to March 31, 2026, the exhibition titled 'The Art of Artificial Intelligence' embraces the interplay of AI with our contemporary artistic landscape.

A Platform for Digital Art


Founded in 2013, The Wrong Biennale aggregates numerous independent digital art initiatives from around the world. This year's segment, AI Chronotopes, takes its cue from the intertwining of time and space, a concept originally posited by Mikhail Bakhtin. By integrating the concept of chronotopes into AI, this exhibition aims to provoke both critical and poetic dialogues surrounding the transformation of artistic practices through artificial intelligence.

Artists from all corners of the globe are invited to contribute their innovative works. The open call for submissions is active until October 20, 2025, welcoming a diverse range of mediums, including digital installations, AI-generated visuals, sound pieces, textual explorations, and hybrid artworks. Notably, there are no fees for participation, and all artists retain full copyright to their creations.

An Innovative Framework for Contribution


To inspire participating artists, the event will also offer a complimentary 'Chronotopes Image Pack'. This resource consists of visual and textual materials designed to ignite new creative processes among contributors, inviting them to explore the depths of AI’s potential in the arts.

Moreover, the exhibition introduces a second round of revisions and remixes, encouraging artists to reinterpret and transform selected works, thereby cultivating a vibrant dialogue that transcends disciplines and geographical boundaries. Such a structure not only emphasizes collaboration but also ensures the evolution of artistic expressions over the course of the Biennale.

Exhibition Timeline


1. Submission Deadline: October 20, 2025
2. Exhibition Opening: November 1, 2025
3. Exhibition Closing: March 31, 2026

This online exhibition makes art accessible to a global audience, aligning with The Wrong Biennale's mission to democratize digital art and engage with cutting-edge themes.

About the Curator


The curator of this exhibition, Kasper Bergholt, is a Danish artist and photographer whose practice spans visual culture, sound, and text. His work often delves into the intersections of technology, time, and representation. Through his curatorial efforts in this event, he invites participants to reconceptualize artistic chronotopes by placing AI at the forefront.

As enthusiasts prepare to engage with this innovative exploration of artificial intelligence within the realm of art, 'The Art of Artificial Intelligence' promises to deliver a compelling experience that challenges our perceptions and inspires creative dialogues for years to come.

For artists interested in participating, further details can be found on the official site's open call page or through their contact section.

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