Violinist Ai Takamatsu Discusses Her New Classical Music Series "Resonance"

A New Chapter in Classical Music

Violinist Ai Takamatsu, a graduate of Tokyo University of the Arts, is set to launch a new concert series titled "Resonance", featuring only classical pieces known as the essence of the genre. This new series will premiere on June 13, 2025, in Tokyo's Hamariyku Asahi Hall, followed by a performance on July 5, 2025, at Kobe Asahi Hall. In anticipation of the concerts, we had the opportunity to sit down with Takamatsu to discuss her motivations behind this series and her perspectives on classical music’s vital works.

Takamatsu has previously embraced original compositions as part of her recital series, but now she has chosen to focus solely on striking classical masterpieces, specifically selecting timeless works devoid of subtitles. "In past recitals, I aimed to showcase my personal artistic expression and the charm of the violin itself, often highlighting original pieces composed by Japanese violinists and renowned classics. However, this time I want to explore pure classical music—pieces that have endured and rightfully belong to the canon of our history," she expressed.

The Music of the Piano Trio

The upcoming concerts will feature piano trio compositions, showcasing rich, layered musical structures that resonate through ensemble performances. Takamatsu finds immense allure in the intersection of sounds that such formats create. She believes that "the abundance of notes in a piece reflects the composer’s heartfelt intentions. Performing chamber music and orchestral works has always been immensely enjoyable. Though the piano trio represents the minimum number of musicians in chamber music, the sound is both profound and dense. I plan to venture into other configurations like string quartets and piano quintets for future concerts."

Despite her established career as a soloist, entering the realm of ensemble playing offers a fresh perspective, one where collaborating with outstanding musicians like pianist Kaki Kuroiwa and cellist Yosuke Shimizu allows each artist to contribute to a collective musical narrative.

The main pieces performed in the inaugural concert are two works from the 19th century, classified under the Romantic period. Although both share a foundational essence, their expressive qualities diverge significantly. Takamatsu highlighted Arensky's piano trio, a piece rooted in the Russian tradition yet exuding a charm that transcends geographic boundaries. "While sometimes described as lacking individuality, I see Arensky’s ability to absorb merits from other composers positively; his works encapsulate Russian sorrow but also draw upon elements from French and German music, including echoes of Chopin—it embodies the allure of the Romantic era," she stated with enthusiasm.

In contrast, Brahms’ first piano trio, though less flamboyant, carries profound significance for Takamatsu. "At first glance, Brahms can feel daunting; however, the deeper you listen, the clearer the structure becomes, creating an intriguing experience. To me, it resembles a tranquil journey through a forest, moving toward a soft glow—it's music that permits a deep breath."

Her affinity for Brahms stems from a long-standing relationship with classical music, nurtured since childhood through encounters with Bach and mentorship from Mr. Toyoda, a former professor at the Berlin University of the Arts. This familiarity has undoubtedly enriched both her selection of pieces and their execution.

The Essence of Classical Music

Takamatsu’s concert series aims to explore the very essence of classical music. While luminous performances are significant, she aspires to inherit and convey the rich traditions of the classical music world faithfully. This series reflects her commitment as a violinist to honor and bear witness to the works that have awaited their rightful place in history.

"Though the spotlight might not shine as brightly on this series as it does in solo violin performances, each piece has been crafted with great care by composers who put their heart and soul into their work, pieces that have persisted through time, awaiting the audience's appreciation. I aim to perform each of these works with diligence. I want to become a performer who carries forward the fine traditions of classical music. This series is set to become an essential pillar in my artistic journey," Takamatsu shared with conviction.

She hopes this music will resonate not only with classical aficionados but can also serve as an inviting gateway for newcomers who might discover a new appreciation for classical music's complexities. The title "Resonance" embodies the desire for synergy among performers and the intended ripple effect on the audience.

As Takamatsu embarks on this journey to revisit classical music’s foundations, her inaugural concert will undoubtedly be the essential start to exploring varied resonances, paving the way for further musical explorations to come.

On the concert day, a pre-talk session featuring the three performers will begin at 6:40 PM, sharing insights about the music to be performed, making it accessible and relatable, even for those experiencing chamber music for the first time.

Tickets for the concert are currently available; fans can purchase them through the links below.

Concert Information: Ai Takamatsu Classical Concert Vol.1 "Resonance"
Performers: Ai Takamatsu (Violin), Kaki Kuroiwa (Piano), Yosuke Shimizu (Cello).
Program: Arensky – Piano Trio, Brahms – Piano Trio No. 1, and more.
Dates & Venues:

- Tokyo: June 13, 2025, 19:00 (Doors open at 18:00). Venue: Hamariyku Asahi Hall, 2nd Floor, Asahi Shimbun Tokyo Headquarters, 5-3-2 Tsukiji, Chuo City, Tokyo 104-8011.
- Kobe: July 5, 2025, 19:00 (Doors open at 18:00). Venue: Kobe Asahi Hall, 59 Naniwa-cho, Chuo Ward, Kobe City 650-0035.

Ticket Prices: General 5,000 JPY / U25 3,500 JPY
Organizer: Tacticart Co., Ltd.
Contact: [email protected] / 03-5579-6704